Field Recordings is an ongoing long-term project in which I listen to specific places and environments. Each release is a self-contained album, based on field recordings made on location. The recordings are either presented close to how they were captured or layered with musical and experimental forms derived from the original material.

The project does not follow a fixed album cycle, but develops over time as a continuous practice. I treat natural and urban environments as active listening situations rather than background, focusing on details, rhythms and spatial qualities that often go unnoticed.

The visual concept of Field Recordings is developed by Niels Vrijdag. For each release, a guest listener selects the colour combination for the artwork, adding another layer of interpretation to the project.

Field Recordings is an ongoing long-term project in which I listen to specific places and environments. Each release is a self-contained album, based on field recordings made on location. The recordings are either presented close to how they were captured or layered with musical and experimental forms derived from the original material.

The project does not follow a fixed album cycle, but develops over time as a continuous practice. I treat natural and urban environments as active listening situations rather than background, focusing on details, rhythms and spatial qualities that often go unnoticed.

The visual concept of Field Recordings is developed by Niels Vrijdag. For each release, a guest listener selects the colour combination for the artwork, adding another layer of interpretation to the project.

cover

Published: September 19, 2025

During my travels through Vietnam, I recorded the layered sounds of Hanoiโ€™s narrow streets, the calls of frogs along the Ha Giang river, early morning rain in Hue, and the quiet of pagodas and gardens, including a ceremony I encountered along the way. From the dense hum of Ben Thanh Market in Ho Chi Minh City to the dawn sounds of Cat Baโ€™s Papillon Garden, these recordings capture moments of stillness and movement across the country. Back in the studio, I let these sounds unfold slowly, allowing space for each fragment to breathe. Like the previous episodes, this release is part of an ongoing exploration of place, memory, and attentive listening. A quiet invitation to pause and let the sounds find theirย way.

๐ŸŒ Locations: Hanoi, Ha Giang, Cat Ba, Hue, Hoi An, Ho Chi Minh City.

The colors for the cover artwork were chosen by Mike Poels, my longtime friend and travel companion on this Vietnam trip, who reflected on the recordings by saying:

“A beautifully crafted mystical and melodic soundscape representation of fond memories for me of a trip of a lifetime that literally sounded like this”

Sounds recorded in Vietnam
Composed in Rotterdam
2024โ€“2025

Artwork by Niels Vrijdag
Color combination by Mike Poels

Album cover Field Recordings - 05 Bohemia

Published: October 23rd, 2024

Field Recordings – 05 Bohemia continues my journey into the depths of soundfields, where natural landscapes and human presence intertwine. This time, Iโ€™ve immersed myself in spaces rich with history and atmosphereโ€”capturing the ambient resonance of Prague Castle, the sacred echoes within cathedrals, the intimate stillness of a camp bathroom in ลฝฤรกr Pล™รญhrazy, and the mechanical hum of a pumping station in Pล™รญrodnรญ rezervace. Layered with natureโ€™s voicefields alive with insects, rolling thunder, and the rhythm of rain, these recordings tell a story of place, memory, and experience.

Back in my studio, I blended these raw recordings with experimental / musical elements and drones derived from a short organ recording in Kathedrรกle sv. Petra a Pavla in Brno, weaving together the organic and the composed into a cohesive soundscape, all through the lens of sound art.

๐ŸŒ Locations: Prague, ลฝฤรกr Pล™รญhrazy, ล pindlerลฏv Mlรฝn, Brno

The colors of the cover artwork are chosen by Anne van den Hoogen

Anne van den Hoogen is a photographer who seeks to capture moments that evoke a mood or feeling. With her unique perspective, she aims to connect through images, coming close to the essence of a situation or person. Check out her great work here. Sheย reflected on the recordings by saying:

โ€œ๐˜›๐˜ฉ๐˜ฆ ๐˜ณ๐˜ฆ๐˜ค๐˜ฐ๐˜ณ๐˜ฅ๐˜ช๐˜ฏ๐˜จ๐˜ด ๐˜ณ๐˜ฆ๐˜ด๐˜ฐ๐˜ฏ๐˜ข๐˜ต๐˜ฆ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ฎ๐˜ฆ ๐˜ช๐˜ฏ ๐˜ข ๐˜ฎ๐˜ฆ๐˜ฅ๐˜ช๐˜ต๐˜ข๐˜ต๐˜ช๐˜ท๐˜ฆ ๐˜ฆ๐˜ฎ๐˜ฃ๐˜ณ๐˜ข๐˜ค๐˜ฆ; ๐˜ด๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ๐˜ด ๐˜ข๐˜ญ๐˜ช๐˜ท๐˜ฆ, ๐˜ค๐˜ข๐˜ณ๐˜ณ๐˜บ๐˜ช๐˜ฏ๐˜จ ๐˜ฎ๐˜ฆ ๐˜ข๐˜ญ๐˜ฐ๐˜ฏ๐˜จ. ๐˜๐˜ฎ๐˜ข๐˜จ๐˜ฆ๐˜ด ๐˜ถ๐˜ฏ๐˜ง๐˜ฐ๐˜ญ๐˜ฅ ๐˜ฆ๐˜ง๐˜ง๐˜ฐ๐˜ณ๐˜ต๐˜ญ๐˜ฆ๐˜ด๐˜ด๐˜ญ๐˜บ, ๐˜ข๐˜ฌ๐˜ช๐˜ฏ ๐˜ต๐˜ฐย ๐˜ด๐˜ค๐˜ฆ๐˜ฏ๐˜ต๐˜ด ๐˜ฆ๐˜ท๐˜ฐ๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ฎ๐˜ฆ๐˜ฎ๐˜ฐ๐˜ณ๐˜ช๐˜ฆ๐˜ด ๐˜ฐ๐˜ง ๐˜ฑ๐˜ญ๐˜ข๐˜ค๐˜ฆ๐˜ด, ๐˜ฑ๐˜ข๐˜ต๐˜ฉ๐˜ธ๐˜ข๐˜บ๐˜ด, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ง๐˜ฐ๐˜ฐ๐˜ต๐˜ด๐˜ต๐˜ฆ๐˜ฑ๐˜ด. ๐˜›๐˜ฉ๐˜ฆ๐˜บ ๐˜ณ๐˜ฆ๐˜ค๐˜ข๐˜ญ๐˜ญ ๐˜ฎ๐˜ฐ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต๐˜ด ๐˜ ๐˜ฐ๐˜ฏ๐˜ค๐˜ฆ ๐˜ธ๐˜ข๐˜ญ๐˜ฌ๐˜ฆ๐˜ฅ ๐˜ถ๐˜ฑ๐˜ฐ๐˜ฏ ๐˜ข ๐˜ฑ๐˜ญ๐˜ข๐˜ค๐˜ฆ ๐˜ ๐˜ฉ๐˜ข๐˜ฅ ๐˜ฏ๐˜ฐ๐˜ต ๐˜บ๐˜ฆ๐˜ต ๐˜ฌ๐˜ฏ๐˜ฐ๐˜ธ๐˜ฏ.”

 

Fiel-Recordings---04-Balkans

Published: July 5, 2023

The fourth episode in the Field Recordings series was recorded in the Balkans in the summer of 2022.

All sounds for this episode are recorded in the versatile fields of Albania, Bosnia, Montenegro and Slovenia. From Sarajevoโ€™s Olympic Bobsleigh to the Cursed Mountains in Albania and back via the small peaceful village Miholjaฤe in Bosnia to the beautiful Kamnik-Savinja Alps in Slovenia. The ambient layers on top are recorded in my studio in Rotterdam.

The colors of the cover artwork are chosen by Rutger Zuydervelt.

Rutger Zuydervelt composes music as Machinefabriek. His music combines elements of ambient, noise, minimalism, drone, field recordings and electro-acoustic experiments. The music can be heard as an attempt to create sonic environments for the listener to dwell in. It can be minimalistic at first glance, but reveals its depth upon closer listening.

โ€œListening to these recordings, I was immediately transported to my past travels through countries like Slovenia, Albania, and North Macedonia. Great memories of hikes through green fields and forests. But also of summers being too hot, leaving the vegatation withered and brown. So there you go, a fertile green and the beige of hay.” Rutger Zuydervelt

๐ŸŒ Locations: Albania, Bosnia, Montenegro and Slovenia

Ard Bit - Field Recordings - 03 Poland

Published: June 1, 2022

The third episode in the Field Recordings series was recorded in Poland in the summer of 2021. From the Bialowieza Forest on the border with Belarus, one of the last and largest remaining parts of the immense primeval forest, to the Tatra Mountains with her erratic rocks, high peaks, breathtaking views and beautiful nature, located on the border with Slovakia.

Besides recording the natural elements, animals and spatial environments, I used the landscape and the objects present as a sound canvas. Interesting sound textures were created by tapping, hitting, throwing or rubbing on and against surfaces.
In this episode I tried to capture the atmosphere of Poland through a coalescence of sound recordings and musical ideas.

The colors of the artwork were chosen by Nanna van Heest.

Nanna van Heest is a designer and researcher and fascinated by color and patterns. Floating in a universe of color, she likes to study the endless range of possibilities and combinations in which they appear or can be organized.

โ€œThe colors are based on my association with a combination of rusty metal parts while a dreamy cloudy sky passes by.”

 

๐ŸŒ Locations: Bialowieza, Krakow, Katowice, Tatra Mountains

Ard Bit - Field Recordings - 02 Nolay

Published: February 9, 2022

The recordings of the second episode in the Field recordings serie were made in a beautiful place called Nolay in Burgundy, France in the fall of 2021. The rumble of a fighter jet and the chirping of birds produces an interesting sound field where the birds react as the sound of the fighter jet increases in dynamics. The other recording was taken in ‘le bout du monde’ nature reserve, falling leaves with a cascade and the buzz of people in the background. The last composition is an amalgamation of these two recordings, accompanied by a harmonic drone that perfectly breathes the atmosphere of Nolay.

The colors of the artwork for this edition were chosen by Roos Muis.

Roos Muis (1993) writes essays that explore the intersection of the internal and the external world. She is currently working on Crossings, a collection of work looking at a variety of themes through the lens of the senses.โ €โ €โ €โ €โ €โ €โ €โ €โ €
โ €โ €โ €โ €โ €โ €โ €โ €โ €โ €โ €โ €
“Nolay

What did I feel when I sat in front of my open window and let the world in, it was a gentle freshness / hopeโ€

 

๐ŸŒย Locations:
Le Drone: les Chaumes Du Mont, Nolay
Le Feuille: le Bout Du Monde, Vauchignon

field_recordings_02_Nolay
Ard Bit - Field Recordings - 01 Sri Lanka

Published: April 9, 2021

Armed with a Zoom H5 field recorder I recorded several spots and hidden beauties, the focus was mainly on non-human organisms. If you listen close and with attention there are many layers nature is producing (eg with headphones you’ll hear a drone produced by a chorus of cicadas, at 2:30 โ€of Part I). But it was inevitable not to record human generated noise, so I decided to use these elements too in the soundscapes. The result is a powerful, mesmeric journey.

The field recordings were made on a trip to Sri Lanka in the summer of 2019 (East coast, Hill Country, South Coast, Sinharaja Rainforest) These recordings are edited and layered into two soundscapes*. Peaceful places, the ocean, the rainforest and a train (environment) provide the setting for these dynamic pieces. Sounds of birds, bees, screaming flying foxes, choirs of cicades, babbling brooks and also human generated noise are all included in the mix.

๐ŸŒ Locations:
Part Iโ€จ: Nilaveli, Pigeon island, Trincomalee, Sigiriya, Kandy
Part II: Kandy, Ella, Marissa, Sinharaja Rainforest

*All recordings on ‘Field Recordings’ are unaffected. Some recordings can also be heard, manipulated, on AMAZING BUBBLE I + II